@jalefkowit Great point. The "good old days" narrative being fascist-adjacent is one of the reasons I have a real problem with a lot of (mainstream, US-radio-played) country music.
I don't think that the musicians are necessarily consciously promoting fascism, but the uncritical romanticization of a past that never really existed seems to feed directly into it.
The last time the US was majority-rural by population, women couldn't legally vote.
There are probably exceptions, though. I've run into some "accelerationists" who are uncomfortably, uh, fascist-adjacent. Some seem to have a good enough grasp of history to not fall into the "good ol' days" narrative, but still think a Dear Leader-run ethno-state is a good way forward.
A few weeks ago, I went on a kick researching the Italian futurists. They were, in many ways, the exact opposite of several of the core principles of fascist ideology, rejecting the past in favor of the future. Embracing technology, etc.
But they were also key to the propaganda of the Italian fascist movement, and I've been trying to figure out how that happened.
(a misapplication of Nietzsche, plus a general shared desire to forge a new world in blood and pain mostly.)
@ajroach42 @ketmorco @jalefkowit @kadin One doesn't expect consistency in a beehive of contradictions https://www.pegc.us/archive/Articles/eco_ur-fascism.pdf
@kadin @jalefkowit Yeah, while I appreciate some country tunes, its beginnings and rise to popularity were quite problematic. https://press.uchicago.edu/Misc/Chicago/662845.html
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